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	<title>DJM &#187; Recommendations</title>
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		<title>Pushing Red</title>
		<link>http://blog.deejaym.com/2009/10/pushing-red/</link>
		<comments>http://blog.deejaym.com/2009/10/pushing-red/#comments</comments>
		<pubDate>Fri, 02 Oct 2009 23:47:02 +0000</pubDate>
		<dc:creator>DJM</dc:creator>
				<category><![CDATA[Recommendations]]></category>
		<category><![CDATA[djg]]></category>
		<category><![CDATA[dubstep]]></category>
		<category><![CDATA[juswan]]></category>
		<category><![CDATA[pushingred]]></category>

		<guid isPermaLink="false">http://www.deejaym.net/?p=86</guid>
		<description><![CDATA[Look for EHL's new dubstep / techno label, Pushing Red.]]></description>
			<content:encoded><![CDATA[<p><a href="http://blog.deejaym.com/wp-content/uploads/2009/10/back600.jpg"><img class="size-medium wp-image-88 alignright" title="Faultline 5 flyer back" src="http://blog.deejaym.com/wp-content/uploads/2009/10/back600-300x300.jpg" alt="Faultline 5 flyer back" width="240" height="240" /></a>Fans of deep Drum &amp; Bass are likely to be familiar with <a href="http://www.discogs.com/label/Warm+Communications">Warm Communications</a>, one of the most interesting D&amp;B labels of the 2000s and certainly one of the best American ones, along with say, Offshore and Violence. I got to meet label owner Heath EHL in Sept 2003 when we booked him at a Faultline party at The Tenderloft, and although the cops broke it up and he never got to play, I really liked the dude and have remained interested in the music he plays and releases. So naturally I was jazzed when I found out he&#8217;s launching a new imprint called <a href="http://www.myspace.com/welikered">Pushing Red</a>, &#8220;Here to further expand the possibilities of dubstep / techno.&#8221; The icing on the cake is that he&#8217;s got four excellent tunes from my SF friends Jus Wan and DJG to kick things off.</p>
<p><img title="pushing-red-logo" src="/wp-content/uploads/2009/10/pushing-red-logo.jpg" alt="pushing-red-logo" width="600" height="133" /></p>
<p>Here&#8217;s the announced release list:</p>
<p>RED001 &#8211; JUS WAN<br />
A. AZURE<br />
AA. DWELL</p>
<p>RED002 &#8211; DJG<br />
A. AVOID THE NOID<br />
AA. DUALITY</p>
<p>RED003 &#8211; REMIXES<br />
A. JUS WAN &#8211; AZURE [ F REMIX ]<br />
AA. DJG &#8211; AVOID THE NOID [ HEADHUNTER REMIX ]</p>
<p>I&#8217;m also a big fan of Headhunter and really like the couple releases on 7even I have by F, so I can&#8217;t wait to hear the remixes. All in all this looks like a solid start to a new techno-y dubstep / dubsteppy techno label. Be on the lookout for 001, out soon on full art promo (a respectable decision.. fuck white labels.. haha).</p>
<p>See <a href="http://www.myspace.com/welikered">Pushing Red @ Myspace</a> for audio clips.</p>
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		<title>April pickups part deux</title>
		<link>http://blog.deejaym.com/2009/05/april-pickups-part-deux/</link>
		<comments>http://blog.deejaym.com/2009/05/april-pickups-part-deux/#comments</comments>
		<pubDate>Fri, 01 May 2009 21:13:36 +0000</pubDate>
		<dc:creator>DJM</dc:creator>
				<category><![CDATA[Recommendations]]></category>
		<category><![CDATA[drum & bass]]></category>
		<category><![CDATA[dubstep]]></category>

		<guid isPermaLink="false">http://www.deejaym.net/?p=66</guid>
		<description><![CDATA[Dubstep Martyn &#8211; Great Lengths CD (3024) [3024005CD] &#8211; see previous post! Instra:Mental / Breakage : Futurist / Late Night (Nakedlunch) [NL 002] &#8211; A great 10&#8243; F I N A L L Y getting a full release. Futurist is a shimmering slice of synthetic electro dubstep (dubstep electro?). Late Night features gorgeous pads and [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Dubstep</strong></p>
<p>Martyn &#8211; Great Lengths CD (3024) [3024005CD] &#8211; see previous post!</p>
<p>Instra:Mental / Breakage : Futurist / Late Night (Nakedlunch) [NL 002] &#8211; A great 10&#8243; F I N A L L Y getting a full release. Futurist is a shimmering slice of synthetic electro dubstep (dubstep electro?). Late Night features gorgeous pads and a minimal groove skating along over big fat Breakage bass weight. Both tunes are devastating and a fine addition to the mellow end of the dubstep spectrum. And, the sleeve has Agent Cooper&#8217;s face on it!!</p>
<p>Pinch : Attack of the Giant Killer Robot Spiders! / Teleportation (Planet Mu) [ZIQ236] &#8211; Attack has an IDM-screwed kilter with deep bass pulses and wobbles, not to mention an excellent b-movie title. Teleportation is a slower and more straightforward piece with the brain of the track in the eerie ambiance and dub techno stabs.</p>
<p><strong>Drum &#038; Bass</strong></p>
<p>Vampire Records Presents&#8230; Once Bitten, Twice High (Vampire) [VAMPCDLP1UK001] &#8211; Compilation on Phil Source Direct&#8217;s uneven and stylistically scattered label. I grabbed this for a few tunes on the cheap but have come around to a couple more. If you can be bothered to dig through the weeds, check out System &#8220;Final Enemy&#8221;, Bal &#8220;Remembrance&#8221;, Resound &#8220;Razorback&#8221;, Survival &#8220;Wet Summer&#8221;, and ASC &#8220;Caesium&#8221;.</p>
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		<title>Martyn &#8211; Great Lengths</title>
		<link>http://blog.deejaym.com/2009/05/martyn-great-lengths/</link>
		<comments>http://blog.deejaym.com/2009/05/martyn-great-lengths/#comments</comments>
		<pubDate>Fri, 01 May 2009 20:41:12 +0000</pubDate>
		<dc:creator>DJM</dc:creator>
				<category><![CDATA[Recommendations]]></category>
		<category><![CDATA[3024]]></category>
		<category><![CDATA[dbridge]]></category>
		<category><![CDATA[dubstep]]></category>
		<category><![CDATA[house]]></category>
		<category><![CDATA[martyn]]></category>

		<guid isPermaLink="false">http://www.deejaym.net/?p=68</guid>
		<description><![CDATA[Martyn &#8211; Great Lengths (3024) [3024005CD] Hooray for the much-anticipated debut full-length from one of my favorite producers! Martyn found his own artistic voice, hit his stride and launched his own label before writing an album, so he&#8217;s made it look easy. On &#8220;Great Lengths&#8221; he puts his own melodic and emotive spin on dubstep, [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://blog.deejaym.com/wp-content/uploads/2009/05/martyn-great-lengths-front.jpg"><img src="http://blog.deejaym.com/wp-content/uploads/2009/05/martyn-great-lengths-front-300x300.jpg" alt="Martyn - Great Lengths (3024) [3024005CD]" title="Martyn - Great Lengths (3024) [3024005CD]" width="300" height="300" class="alignleft size-medium wp-image-69" /></a></p>
<p><strong>Martyn &#8211; Great Lengths (3024) [3024005CD]</strong></p>
<p>Hooray for the much-anticipated debut full-length from one of my favorite producers! Martyn found his own artistic voice, hit his stride and launched his own label before writing an album, so he&#8217;s made it look easy. On &#8220;Great Lengths&#8221; he puts his own melodic and emotive spin on dubstep, house and even ambient bridge tracks, all with strong techno and garage influences. The album is highly listenable: catchy, hooky, deep, and innovative yet familiar right out of the box. It&#8217;s hard to pick favorites but I&#8217;m especially drawn to Elden St, Seventy Four, Little Things and the undeniably upbeat lead tunes, Right?Star! and Krdl-To-Grv. If you&#8217;re a vinyl collector there&#8217;s a good chance Vancouver &#038; Natural Selection are already in your crate on 12&#8243; (3024 002) but they deserve the reprise. Martyn has also achieved a rare feat in my mind by making a song with Spaceape that doesn&#8217;t bug the crap out of me, perhaps by employing a couple filters to spice up his monotone. I wasn&#8217;t sure about the other collaboration, a slow-building dubstep vocal workout featuring dBridge, but it really grew on me. Then the other clog dropped and I realized (I think) that dBridge sang the vocals, which makes it especially impressive as he&#8217;s known more as a producer than a vocalist, but quite believable when you remember his brother is Steve Spacek. Packaged in a very nice three-fold digipak with more of the label&#8217;s psychadelic cartoons and design by Erosie.</p>
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		<title>April pickups</title>
		<link>http://blog.deejaym.com/2009/04/april-pickups/</link>
		<comments>http://blog.deejaym.com/2009/04/april-pickups/#comments</comments>
		<pubDate>Fri, 10 Apr 2009 01:13:58 +0000</pubDate>
		<dc:creator>DJM</dc:creator>
				<category><![CDATA[Recommendations]]></category>
		<category><![CDATA[drum & bass]]></category>
		<category><![CDATA[dubstep]]></category>

		<guid isPermaLink="false">http://www.deejaym.net/?p=56</guid>
		<description><![CDATA[Drum &#038; Bass Alix Perez : Im Free / Melanie &#8211; Shogun Audio, SHA024 &#8211; Im (I&#8217;m?) Free is a catchy bleepfest, love this one. Data : Muted / Splice : Metalheadz, METH 077 &#8211; Muted is one of those simple two-step tracks that slowly wormed its way into my subconscious. Not as into Splice, [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Drum &#038; Bass</strong></p>
<p>Alix Perez : Im Free / Melanie &#8211; Shogun Audio, SHA024 &#8211; Im (I&#8217;m?) Free is a catchy bleepfest, love this one.</p>
<p>Data : Muted / Splice : Metalheadz, METH 077 &#8211; Muted is one of those simple two-step tracks that slowly wormed its way into my subconscious. Not as into Splice, similar synthetic techstep sounds but a bit harder with a dirty reese.</p>
<p>Alix Perez &#038; Sabre / Sabre : Everglade / God Fearing : Metalheadz, METH 076 &#8211; Everglade is a solid acid dancefloor tune. I&#8217;m a bit more partial to God Fearing which is eerie and syncopated. </p>
<p>Subwave : Dreamcatcher / Special Skills : Metalheadz Platinum, METPLA 008 &#8211; Continuing the Metalheadz love-in, Dreamcatcher is another solid headz a-side but again I picked this up for the flip: disorientating, breaks-heavy, stabby.</p>
<p>Spirit : SHK / Nightshade : 203 Records, 203001 &#8211; First release on Spirit&#8217;s sister label to Inneractive featuring the much-anticipated hands-in-the-air raveout SHK. Nightshade has a nice groove, more along the lines of his mellow Soul:r side, like his track Holding Back or Orchid.</p>
<p><strong>Dubstep</strong></p>
<p>Marcus Intalex : Debbit / Four Three Three : Revolve:r, REVOLVER014 &#8211; If I&#8217;m not mistaken this is the first solo dubstep 12&#8243; from Mr. Intalex. Debbit starts out as deep roller then the techno pads come in and shit gets real emotional, in a good way. Four Three Three is carried by a 4-4 housey beat with a big layer of dub techno awesome sauce.</p>
<p>The Roots Of El-B : CD : Tempa, TEMPACD012 &#8211; I love some El-B tracks but I wasn&#8217;t buying 2-step at the time the 12&#8243;s came out. Figured this was a good buy.</p>
<p>L-WIZ : FIRST STEP / MOJITO / PRAYER ROOM : RED VOLUME RECORDINGS, RVOL 008 &#8211; Something for everyone here. First Step is as big a dancefloor half-step tune as L-Wiz have yet to release but maintains a Reggae skankin&#8217; feel. Mojito is the pretty side of L-Wiz, for fans of Amy Diamond (their tune, not the pop singer). Prayer Room is also nice, minimal and stabby but with a broken beat swing.</p>
<p>Benga / Skream : Technocal / Trapped In A Dark Bubble : Tectonic, TEC 026 &#8211; Unusual bassline on the Skream tune, pretty much bubbles darkly like it says on the box. Technocal is a solid Benga swing beat with kind of an acid-lite feel.</p>
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		<title>New oldskool jungle release &#8211; Scientific Wax Retro 001</title>
		<link>http://blog.deejaym.com/2009/04/new-oldskool-jungle-release-scientific-wax-retro-001/</link>
		<comments>http://blog.deejaym.com/2009/04/new-oldskool-jungle-release-scientific-wax-retro-001/#comments</comments>
		<pubDate>Fri, 03 Apr 2009 01:41:30 +0000</pubDate>
		<dc:creator>DJM</dc:creator>
				<category><![CDATA[Recommendations]]></category>
		<category><![CDATA[drum & bass]]></category>
		<category><![CDATA[equinox]]></category>
		<category><![CDATA[nebula]]></category>
		<category><![CDATA[oldskool]]></category>
		<category><![CDATA[scientificwax]]></category>

		<guid isPermaLink="false">http://www.deejaym.net/?p=27</guid>
		<description><![CDATA[Equinox of Scientific Wax has launched a sister label, Scientific Wax Retro for oldskool jungle sounds. The first release is Equinox &#8220;Babylon&#8221; b/w Nebula &#8220;Destiny&#8221; on a clear red vinyl 12&#8243; (SWR001), limited to 300 copies and exclusively available by mail order from the label. Babylon is a previously unreleased 8-bit tune from 1994 while [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://blog.deejaym.com/wp-content/uploads/2009/04/img_2005-3.jpg"><img class="alignleft size-medium wp-image-30" title="SWR001A" src="http://blog.deejaym.com/wp-content/uploads/2009/04/img_2005-3-150x150.jpg" alt="SWR001A" width="150" height="150" /></a> <a href="http://blog.deejaym.com/wp-content/uploads/2009/04/img_2007-3.jpg"><img class="alignleft size-thumbnail wp-image-32" title="SWR001B" src="http://blog.deejaym.com/wp-content/uploads/2009/04/img_2007-3-150x150.jpg" alt="SWR001B" width="150" height="150" /></a>Equinox of <a href="http://www.scientificwax.com/">Scientific Wax</a> has launched a sister label, Scientific Wax Retro for oldskool jungle sounds. The first release is Equinox &#8220;Babylon&#8221; b/w Nebula &#8220;Destiny&#8221; on a clear red vinyl 12&#8243; (SWR001), limited to 300 copies and exclusively available by mail order from the label. Babylon is a previously unreleased 8-bit tune from 1994 while Destiny is new but in a throwback style. Fierce stuff and essential for oldskool lovers! I got my copy, now <a href="http://scientificwax.com/">go get yours</a>&#8230;</p>
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		<title>March pickups</title>
		<link>http://blog.deejaym.com/2009/03/march-pickups/</link>
		<comments>http://blog.deejaym.com/2009/03/march-pickups/#comments</comments>
		<pubDate>Wed, 25 Mar 2009 00:30:06 +0000</pubDate>
		<dc:creator>DJM</dc:creator>
				<category><![CDATA[Recommendations]]></category>
		<category><![CDATA[drum & bass]]></category>
		<category><![CDATA[dubstep]]></category>

		<guid isPermaLink="false">http://www.deejaym.net/?p=7</guid>
		<description><![CDATA[I thought I would kick off my little blog here with some quick mentions of tunes that floated my boat over the past month or so. Drum &#38; Bass Dom &#38; Roland / Dom &#38; Gridlok : Funk Hunt / Catscan : Dom &#38; Roland Productions, DRP007 &#8211; This is the side of Dom (and Gridlok) I [...]]]></description>
			<content:encoded><![CDATA[<p>I thought I would kick off my little blog here with some quick mentions of tunes that floated my boat over the past month or so.</p>
<p><strong>Drum &amp; Bass<br />
</strong></p>
<p>Dom &amp; Roland / Dom &amp; Gridlok : Funk Hunt / Catscan : Dom &amp; Roland Productions, DRP007 &#8211; This is the side of Dom (and Gridlok) I love. Two funky techstep tunes that roll like no other, thickly layered with interesting samples. Reminds me of another great record on this label, &#8220;Bump In The Night&#8221; off Dom&#8217;s album.</p>
<p>Fanu / NSF : Poltergeist / Come Back : Lightless Recordings, LIGHTLESS005 &#8211; Poltergeist is spooky, dark drum funk. The b-side is a Jekyll &amp; Hyde twistup of James Brown (I think) by Sick and Destroy of Germany&#8217;s Neurotic Sound Foundation collective.</p>
<p>V/A : Magnetic Fields : Camino Blue &#8211; Latest in a series of digital compilations from this German new-school atmospheric D&amp;B label. I pick up almost everything they release. Like most compilations there are a few substandard tunes but this one has some gems by Modemellow, Kytel, and label owners P.B.K.</p>
<p>ASC / Resound &amp; Furi Anga &#8211; Smartbomb / Waterpipe (Vampire) &#8211; This has been out for a while but I finally grabbed it on digital. Smartbomb is ASC doing deep, ploddy techstep but with his usual attention to atmospherics while Waterpipe is a lively and fidgety dancefloor tune with that characteristic Resound flavor.</p>
<p>SOLAR : NORTH TO FUTURE / STEP TWO : OUTSIDER MUSIC, OUTSIDE 021 &#8211; Another solid 12 on Paradox&#8217;s label dedicated to breaking new talent. North to Future really grew on me with its retro emotive beats, pads, and subs. Step Two sounds exactly like Paradox and there&#8217;s nothing wrong with that : )</p>
<p><strong>Dubstep<br />
</strong></p>
<p>Horsepower Productions : Damn It / Kingstep : Tempa, TEMPA 042 &#8211; Damn It is a smorgasbord of dub samples with sax, melodica, gunshots, guitar, breaking things, chimes, vocals, just about everything but the kitchen sink. Absolutely love this tune.</p>
<p>MARTYN / 2562 : Yet / Kontrol &#8211; Tectonic Plate 2.1, TEC 025 &#8211; Sampler from the next Tectonic Plates comp. Pure goodness.</p>
<p>Coalition Of The Killing &#8220;We Are The Glitch [DJG Remix]&#8221; (Blipswitch Digital) &#8211; Local Bay Area dubstep flavor. DJG has long been one of my favorite local DJs and now he&#8217;s writing excellent dubstep tunes. Buy this <a href="http://www.addictech.com/store/product_info.php?products_id=22871">here</a>.</p>
<p>Breakage : Together / Rain &#8211; Digital Soundboy Recs, SBOY019 &#8211; Robocopped!  Two amazing tunes, sampler from Breakage&#8217;s forthcoming album &#8220;Foundation.&#8221; Together is Breakage at his minimalist best backing the raw energy in Roddigan&#8217;s voice.</p>
<p>Untold : Sweat / Dante : Hot Flush, HFT006 &#8211; New techno/garage-influenced dubstep from London&#8217;s <a href="http://www.myspace.com/untolduk">Untold</a>. Really into his other releases on Hessle and his label Hemlock.</p>
<p>Toasty / Search &amp; Destroy : The Knowledge (Untold remix) / Candyfloss (Loefah remix) : Hotflush Recordings, HFRMX001ii &#8211; Loefah&#8217;s Candyfloss remix was one of the first dubstep tunes that really turned my head. I was never into the other mixes it was backed with but with the new Untold mix of Knowledge I finally had good reason to grab the vinyl.</p>
<p>Shed &#8211; Martyn &amp; Surgeon Remixes : The Lover Upside Down (Surgeon Remix) / Wedged Chicken (Martyn&#8217;s 131 Remix) **IMPORT** : Ostgut Tonträger, OSTGUT020 &#8211; Nuff said. The Martyn mix is a bit slow for dubstep mixing but it&#8217;s great. Reminds me of the Danny Breaks mix of Amon Tobin &#8220;Like Regular Chickens.&#8221; Samples of people talking about chickens&#8230; why not?</p>
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